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| It is easier to talk than to listen. | |
Think more, design less. |
Pay attention to your clients, your users, your readers, and your friends. Your design will get better as you listen to other people. |
Many desperate acts of design (drop shadows, gradients and the gratuitous use of transparency) are committed in the void left by a strong concept. |
Design is an art of situations. |
Say more, write less. |
Designers respond to a need, a problem, a circumstance, that arises in the world. The best work is produced in relation to interesting situations. |
Just as designers should avoid filling space with arbitrary visual effects, writers should remember that no one loves their words as much as they do. |
No job is too small. |
Spend more, buy less. |
A graphic designer can set out to change the world one business card at a time—as long as it is the business card of a really interesting person. |
| Cheap stuff is usually cheap because of how it’s made, what it’s made of, and who made it. Buy better quality goods, less often. |
An interface reveals itself at its point of failure. |
| May your thoughts be deep and your wounds be shallow. | Design helps the systems of daily life run smoothly. Sometimes, however, design should expose the system, revealing its construction and politics. |
| Always work with a sharp blade. Many late-night accidents involve dull X-Acto blades. Protect your printouts from senseless bloodshed. | The idea is the machine that makes the art. |
| Density is the new white space. | (Courtesy of Sol Lewitt.) A strong concept can drive decisions about form, while formal experiments can lead to powerful concepts. |
| On page and screen, a rich texture of information can function better than sparseness and isolation. | The early bird gets to work before everyone else. |
| Make the shoe fit, not the foot. | Know (and use) your best time for thinking: early in the morning, late at night, or even, in rare circumstances, during class or between nine and five. |
| Rather than force content into rigid containers, create systems that are flexible and responsive to the material they are intended to accommodate. | Build the discourse. |
| Make it bigger. | Design is social. It lives in society, it creates society, and it needs a society of its owns. Read, write, and talk about design whenever you can. |
(Courtesy of Paula Scher) Amateur typographers make their type too big. Experienced designers, however, make their type too tiny. |
Go forth and reproduce. |