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Revolution of Forms
Cuba's Forgotten Art Schools
John Loomis

ISBN 9781568981574
Publication date 12/1/1998
7.5 x 11 inches (19.1 x 27.9 cm), Paperback
220 pages, 44 color illustrations, 133 b/w illustrations
Rights: World; Carton qty: 20; (0.0)

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A revolution of forms is a revolution of essentials. --Jose Marti, Cuban intellectual and independence leader

Although the current surge of interest in Cuba has extended to that country's architecture, few know that the most outstanding architectural achievement of the Cuban Revolution stands neglected just outside Havana.

The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an organic complex of brick and terra-cotta Catalan vaulted structures that reflected the optimism and exuberance of the period. The schools attempted to reinvent architecture, just as the Revolution hoped to reinvent society. However, even before construction was completed, the schools fell out of official favor and were subjected to an attack that resulted in their subsequent "disappearance." An ideological campaign branded them politically incorrect, a bourgeois luxury that was not in keeping with the Revolution. The buildings fell into disuse and, abandoned to the jungle, were literally overgrown. Now, almost 40 years later, Cuba is beginning to recognize and reclaim these significant works of architecture. Revolution of Forms investigates the history and politics surrounding the creation of these structures as well as their subsequent abandonment. The text is accompanied by archival photographs, plans, and images of the present condition of these structures.

John Loomis is an associate professor of architecture at the City College of New York. He has written for Design Book Review, Progressive Architecture, Places, and Oculus.


John A. Loomis is an associate professor of architecture at the City College of New York. He has written for Design Book Review, Progressive Architecture, Places, and Oculus.





Editorial Reviews


Harvard Design Magazine:
". . . a vivid narrative of how architecture can encapsulate and reveal a moment in history. . . . it is a refreshing book to read or examine, for it unfolds, in words and images, the kind of complexities and passions that underlie any significant architectural enterprise."

Designer/Builder:
"It is a refreshing book to read or examine, for it unfolds, in words and images, the kind of complexities and passions that underlie any significant architectural enterprise."

Journal of Architectural Education:
"Loomiss lucid book provides the analysis and theoretical ammunition to restore the art schools to their place in defining Cuban modernity."

Harvard Design Magazine:
"enthralling. . . compelling tale of architectural ideals and ambitions. . . includes striking photographs of the schools. . . haunting images transports the reader into the midst of the unforgiving tropical landscape. . .a fascinating story, contributing a rich chapter to the history of a revolution whose myth can still intrigue the contemporary imagination.

Loomis's path-breaking narrative leaves one wanting more.

Revolution of Forms might indeed be the beginning of an 'architectural novel,' a vivid narrative of how architecture can encapsulate and reveal a moment in history. It is a refreshing book to read or examine, for it unfolds, in words an images, the kind of complexities and passions that underlie any significant architectural enterprise."



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